This segment from KX News about Elmer Jose is both interesting and inspirational.
In all, Elmer has created over 200 of these needlepoint works of art, some containing nearly 170,000 stitches. He doesn’t usually take requests, but if you have something in mind, chances are, he’s already done it.
Oh and by the way, “he does his work from a wheelchair, using one good eye, and limited use of one hand. If that’s not incredible enough, he’s also a cancer survivor.”
Leigh-Anne Mullock, a designer, has a portfolio at her website where she showcases some of her more interesting stuff. Among these are book covers she designed for 2 Jane Austen novels: “Pride and Prejudice,” and “Mansfield Park”. In her words:
Hand stitched cover ilustrations feature imagery about their relationships the novel’s protagonists might have been inspired to stitch.
Christine Mann has done it again, this time with an article titled “Guide to Needlepoint Yarns and Threads“. A good introduction to the different types of threads and how to choose between them.
The vast assortment of different yarns and threads available today can be confusing. Which ones work best for needlepoint? How should a needle pointer choose the right yarn or thread for a particular project?
Then came the needlepoint project. Needlepoint finally pierced the quiet. “How long did it take you to do this?” the first lady asked, loud enough for all to hear, when the girl gave her the handiwork. Two days, the child said, speaking Russian.
Christine Mann has posted a Guide to Needlepoint Canvas over at Suite101. The article summarizes the differences between the various types of needlepoint canvas and is a pretty good introduction to this topic.
Good quality materials are essential for creating works of art that last, and they help avoid frustration while you work. Before beginning a needlepoint project, inspect the canvas to make sure the threads have no knots or cuts. The grid should be even, not warped or distorted. Make sure the weave and gauge of the canvas is the right scale for the design and yarn you plan to use. Make sure its stiffness and sturdiness are a good match for the way the needlepointed item will be used.
In other words, it pays to buy designs that were done on quality canvas. At Pepita Needlepoint, all designs are printed on expensive Zweigart Mono Deluxe canvas, widely preferred by stitchers everywhere. Threads are clean and straight, the weave is uniform and stiff, and the material is sturdy yet gentle on your hands.
A while back, a customer contacted me through my website and requested a Backgammon board pattern that featured a compass rose. I designed one special for her and she was very happy with it. It’s now available for anyone else as well on the website.
Our customer had shopped around for a designer that would do this for her. One designer wanted to charge her $800! She was amazed when I priced this for her at under $100.
If you are looking for a custom-designed canvas, make sure to drop me a line. You won’t be disappointed.
Hello, distinguished visitors. Thanks for joining me here at my brand-new WordPress installation.
I am still in the process of importing my older blog posts from my original installation. I’m told that this is a difficult process, but have no fear! I’ll get it done. In the meantime, this little introductory post will have to do. So once again, I bid you welcome, and let’s keep the conversation going.
The Scottish Diamond stitch is a medium-complexity stitch that is good for filling larger areas with an elegant, symmetrical pattern. I’ve created a diagram that illustrates the stitch below.
The Scottish Diamond stitch appears in Lucinda Ganderton’s “Stitch Sampler” on page 123 (I am using the edition from 1999, but it is still on that page in the most current print). Here is what she writes:
Start at top left. Work five upright stitches in a diamond shape…Repeat to the end of the line leaving one space between each diamond (emphasis mine).
Following Lucinda’s instructions, your diamonds will be tightly wrapped with a series of vertical stitches, but they won’t criss-cross as you might expect.
Here are some illustrations to show you what I mean. Lucinda’s stitch can be diagrammed as follows:Â
But if you desire a more symmetrical look, where the wrapping stitches criss-cross nicely,Â the stitch would look like this:
We can call this variantÂ the “Scottish Diamond Criss Cross”. (For all I know, there already is a stitch out there with this pattern, I just don’t know of it. Does anybody out there know?)Â Here is a photo detail of the stitch using my variation, from Pepita’s Baby Boy Sampler:
Instead of leaving 1 space between the diamonds, as per Lucinda’s instructions, you need to leave 3 spaces between each diamond. Otherwise, the outlining stitch that wraps each diamond will not criss-cross properly. If youÂ study the photo detail I put in before, you’ll see what I mean.
Incidentally, I very much recommendÂ Lucinda’s book – her work is excellent and it is a valuableÂ reference for every needlepointer.